Extracted from The dialogical Self in Psychotherapy p. 17
Hermans, H. J. (2004). The dialogical: Between exchange and power.
Extracted from The dialogical Self in Psychotherapy p. 17
Hermans, H. J. (2004). The dialogical: Between exchange and power.
The PIRS, categorizes each individual intervention. It allows for examining the therapy process at the level of moment-to-moment interactions apart from summarizing techniques used for the session overall.
Milbrath, C., Bond, M., Cooper, S., Znoj, H. J., Horowitz, M. J., & Perry, J. C. (1999). Sequential consequences of therapists’ interventions. The Journal of psychotherapy practice and research, 8(1), 40. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3330527/
The Comprehensive Psychotherapeutic Interventions Rating Scale (CPIRS) was designed to study different orientations of psychotherapy used in researched practices. It is a way to measure treatment adherence and/or treatment differentiation.
Client Centered, psychodynamic, behavioral, cognitive, group psychodynamic, and systemic orientations are included in the CPIRS.
Apart from these orientations, interventions and attitudes derived from common factors are included. The scale is also useful in determining how far the treatment is eclectic/integrative or pure form.
3 Studies were carried out, that are also presented in this article to validate this scale.
The first 2 studies indicated unconvincing differentiation between psychodynamic therapies and experiential therapies studied. The differentiation was clearer in the third study.
Trijsburg, R. W., Frederiks, G. C., Gorlee, M., Klouwer, E., den Hollander, A. M., & Duivenvoorden, H. J. (2002). Development of the comprehensive psychotherapeutic interventions rating scale (CPIRS). Psychotherapy Research, 12(3), 287-317.
What is psychotherapy as a profession deconstructed? This paper by Orlinsky (2009) provides some definable guides, providing graphical structure of psychotherapy. The profession of psychotherapy is more complex than meets the eye, because most of what is important in the work is difficult to measure by empirical methods. This is a meta-theory for the use of psychotherapy research.
The “Generic Model of Psychotherapy” was initially presented 25 years ago and was conceived as a trans-theoretical frame for integrating the varied empirical findings of hundreds of studies relating therapeutic process to outcome that had appeared during the previous 3 decades into a coherent body of knowledge.
This conceptual model offers a comprehensive framework in which various clinical theories of psychotherapy can be systematically combined and compared.
It was considered almost impossible to compare these different branches of therapies because of their different focus and “operating language”. This is of course not a very good description of what psychotherapy is about.
If we were to detangle the layers of the psychotherapy profession, we can imagine these parts that make up the whole
1. The Therapeutic Contract:
This is the getting together of the client and therapist; it is an agreement on the set, setting and conditions of the therapy.
2. Therapeutic Operations : Technical Aspects
After the formalities are set, the client comes into the therapy session and begins his/her dialogue with the therapist. The patient presents his/her situation, the therapist provides interventions. From the figure below one can see the co-createdness of this step.
3. The Therapeutic Bond
When people meet, the interpersonal relationship that builds in-between is unique. How this bond is formed is multi-factorial. These factors have been used a variables in psychotherapy research, e.g. age, gender, socio-cultural-economic status, and personality. The therapeutic bond is dynamic and changes over time.
4. Self Relatedness
This is the intra-personal aspects of both therapists and client: how open each are to the conditions and situations that arises within and outside of the therapy sessions.
5. In-Session Impacts
These are happenings that occur during the therapy session that impacts the client-therapist relationship.
6. Temporal Patterns
As the name suggests, this is about taking into account how change evolves with time. Small changes and ah-ha moments, together with outside influences through time creates changes to the therapeutic relationship.
The client and therapists are also affected by what goes on in life outside the therapy hours. This brings into consideration the larger context related to the therapist and client as individuals.
The big picture is a schema of how fluid and ever-changing the influences of the psychotherapeutic alliance is. This makes psychotherapy research very challenging and also interesting.
This is an introduction to Psychoanalysis, Self Psychology, Heinz Kohut 1913-1981.
There are following therapist-client interaction:
Kohut also introduces Disintegration of Selfobject –> leads to emptiness, self aggression, addictions, emptiness depression.
How does Analysis repair disruptive cycle of emptiness…? What has happened that led you to do this? Going to stripclubs, etc… What set you off this time?Make patients addicted to therapist / therapy. That is a way to help patient get rid of the addiction.Some people are also addicted to anger. They use anger to hold them together. What is really valuable in psychotherapy (Interpersonal Schools of Psychotherapy):
“Sustained empathic enquiry.”
Decentering: Look at pattern from patient’s perspective. Try to set aside feeling attacked. Sometimes the patient’s perspective is psychotic. But it is still his/her perspective! So we take it for what it is.
Kohut’s theory of cure: when there is a disruption, try to understand, what happened to the patient. The patient feels ultimately understood. Repairs the disruption.
Transmuting internalization takes place.
Reestablishment in the disruption. The more he is able to be empathic to himself. He is able to build his own selfobject.
Like Kleinian, Self-Psychology works with the internalized selfobject.
Kernberg is opposed to Kohut. He sees Narcissist is suffering from conflict and not deficit like Kohut. Narcissism is seen as manic defence. Profound feelings of emptiness, envy… Helping narcissist become depressed… but this can be lead to client to be very very depressed /suicidal.
The opposing view of Kohut and Kernberg is a reminder that analysis is a way of researching what goes on in the human mind. It is an attitude of seeing, and not a end to understanding “facts”. This makes psychotherapy sciences much more real and dynamic than natural sciences.
In Gestalt therapy, the narcissist is “not able to feel anything”, and thus has found a way to deflect from him/herself any stimuli from the environment. It is a safety mechanism he/she learned as a child. Most oftently the child has good reasons to shield him/herself from perceived or real danger. This deflection mechanism becomes automatic, and the adult is not aware of his/her own situation, because the not feeling is second nature.
The disadvantage such persons have is that he/she does not enjoy relationships and often feel threatened / miss- trusting and always aggressive (active or passive) towards others.
Gestalt therapist realize that when a behavior is not in awareness, it is impossible to talk to the client about it, and expect the client to experience a shift in his/her “nature”. Much of the work has to arise from non-verbal communication and feedback from the therapist.
Character Analysis was written by Wilhelm Reich in 1933. Reich was a psychoanalyst and physician whose work today is of relevant significance in Psychotherapy. Reich had, already in the early days, discovered problems therapists face with some patients in the therapeutic work. This problems come in the form of resistance to the analysis itself, and these manifest as major hinderances to the treatment. I believe that it is because of these resistances (and the fact that many therapists today have not paid attention to the existence of these resistances), that some patients become rendered “un-therapieable” / or untreatable. In today’s world the danger in considering patients not treatable by psychotherapy not only does injustice to the profession, but also to the patient, who ultimately become dependent on psycho pharmaceuticals as their only sources of help. These drugs often come with side effects and do not help the patient return to full functionality.
Reich’s influence today can be seen in the work of Otto Kernberg, who explains to us about Transference Analysis.
1. Same typical errors in the technique of interpretation and their consequences
2. Systematic interpretation and resistance analysis
3. Consistency in resistance analysis
ON THE TECHNIQUE OF CHARACTER ANALYSIS
Character armoring and character resistance
a) The inability to follow the basic rule
b) Where do the character resistances come from?
c) On the technique of analyzing the character resistance
d) The technique of dealing with individual situations as derived from the structure of the character resistance
e) The breaking down of the narcissistic defense apparatus
f) On the optimal conditions for the analytic reduction to the infantile situation from the contemporary situation
g) Character analysis in the case of abundantly flowing material
3 A case of passive-feminine character
b) The development and analysis of the character-resistance
c) Linking the analysis of the contemporary material to the infantile
INDICATIONS AND DANGERS OF CHARACTER ANALYSIS ON THE HANDLING OF THE TRANSFERENCE
1 The distillation of the genital-object libido 127
2 Secondary narcissism, negative transference, and insight into illness
3 On the handling of the abstinence rule
4 On the question of the “dissolution” of the positive transference
5 A fe,v remarks about counter-transference
THEORY OF CHARACTER FORMATION CHARACTEROLOGICAL RESOLUTION OF THE INFANTILE SEXUAL CONFLICT
1 Content and form of psychic reactions
2 The function of character formation
3 Conditions of character differentiation
THE GENITAL CHARACTER AND THE NEUROTIC CHARACTER (THE SEX-ECONOMIC FUNCTION OF THE CHARACTER ARMOR)
1 Character and sexual stasis
2 The libido-economic difference between the genital character and the neurotic character
a) Structure of the id
b) Structure of the superego
c) Structure of the ego
3 Sublimation, reaction formation, and neurotic reaction basis
CHILDHOOD PHOBIA AND CHARACTER FORMATION
1 An “aristocratic” character
2 Overcoming of childhood phobia by the formation of character attitudes
SOME CIRCUMSCRIBED CHARACTER FORMS
1 The hysterical character
2 The compulsive character
3 The phallic-narcissistic character
THE MASOCHISTIC CHARACTER
1 Summary of views
2 The armoring of the masochistic character
3 Inhibited exhibitionism and the passion for self-deprecation
4 Unpleasurable perception of the increase of sexual excitation: the specific basis of the masochistic character
5 Observations on the therapy of masochism
SOME OBSERVATIONS ON THE BASIC CONFLICT BETWEEN NEED AND OUTER WORLD
FROM PSYCHOANALYSIS TO ORGONE BIOPHYSICS
PSYCHIC CONTACT AND VEGETATIVE CURRENT
1 More about the conflict between instinct and outer World
2 Same technical presuppositions
3 The change of function of the impulse
4 The intellect as defense function
5 The interlacing of the instinctual defenses
7 Substitute contact
8 The psychic representation of the organic
a) The idea of “bursting”
b) On the idea of death
q Pleasure, anxiety, anger, and muscular armor
1 o The two great leaps in evolution
TIIE EXPRESSIVE LANGUAGE OF THE LIVING
1 ‘”The function of en1otion in orgone therapy
2 Plasn1atir expressive n1ovement and en1otional expression
3 The segmental arrangement of the armor
4 The emotional expression of the orgasm reflex and sexual superimposition
THE SCHIZOPHRENIC SPLIT
1 The ”devil” in the schizophrenic process
2 The “forces”
3 The remote schizophrenic expression in the eyes
4 The breakthrough of the depersonalizationand first understanding of the schizophrenicsplit
5 The interdependence of consciousness andself-perception
6 The rational function of the “devilish evil”
7 Anorgonotic regions in the catatonic state
8 The function of self-damage in schizophrenia
9 Crisis and recovery
THE EMOTIONAL PLAGUE
Reich, W. (1980/1933). Character analysis. Macmillan.
Written by: Nicole Chew-Helbig on 15 June 2017 in Vienna, Austria.
This case study is an abstract from a therapeutic work. It is a demonstration how a recall of the client’s favorite novel as a teenager develops into a psychotherapeutic session that is meaningful to the clients identification of himself. This is a technique usually used for working with dreams in Gestalt therapy, in which the client plays the parts (makes projections) of his dream. In this case it is not the dream, but the novel.
CL works in a publishing company. He reports having problems with procrastination. Although quite successful at his job, he struggles making datelines. He finds himself delaying getting things done till the last minute, which sees himself sitting up till early hours of the morning smoking cigarettes. This is an excerpt of a Gestalt Therapy Session. Throughout this article, the principles of Gestalt Therapy adopted in this session are also explained in this color.
NC: Now can you bring to mind a moment in which the word “procrastination” feels familiar?
CL: (Contemplates…) Yes. I had to write a short article for the company’s blog. It was in morning, I took out the PC, but then I did instead some online shopping.
NC: Stay with the feeling of the moment before you switch to online shopping.
“Staying with the feeling” is an approach in GT where the narrative (which is usually an intellectual process) is embodied into experience.
CL: I feel anxious.
NC: This familiar to you?… stay with it. Can you remember a time in your childhood when you felt something like this?
CL: In school. It was Math, and I had homework. The teacher wasn’t pleased, I made mistakes I did not understand…
This narrative goes on, and we talked about anxiety about what he considered “small criticism”. This recall of the past is a “free association”. The experienced client knows how to take memories or images that pop up in the moment and vocalize them. Sometimes these associations do not seem to make sense at the moment, but these usually do.
NC: Stay with this anxiety again… much earlier… maybe at home…
CL: Nothing special, really, I am just having a picture of a dirty bicycle. I was 8 or 9, it is my bicycle. I was supposed to clean it, but I didn’t want to do it.
NC: You had to do it, but you do not want to do it now?
CL had used the present tense, and I felt it is a good thing, so I followed with the present tense. This is a good opportunity to work with past experiences as if it were in the present. Actually this is how we live, with occurrences of our past popping up in the present.
NC: What would you rather have done?
CL: Read a book.
NC: Have you a book in mind?
CL: Yes. (mentioned a title of a book).
NC: Where would you go to read this book?
CL: In my bedroom.
NC: How does it feel to be in your bedroom reading this book?
CL: Relaxed, comfortable… safe.
Notice that he said “safe”. It seems to correlate with the “anxiety” behind the procrastination. This is an indication that sitting in the room, and reading that book is a way out of anxiety. At this point I could have gone back to the anxiety, and tried to work on it. My interest of the moment, however, took me to the curiosity about the book (which I will explain later why). This is working in the here-and-now. The therapist is following her own feelings of curiosity, and being present. This means that we may, at this juncture abandon trying to sort the problem of procrastination. In Gestalt, we work on what is present. The present is always changing. We do not try to force goals into the present or force the client to concentrate or dwell on issues that are not there at the moment.
NC: The title of this book got my interest, I have not heard of it before.
CL: (laughs). It is a very old novel. German novel about German brothers coming back from the 2nd World War, and the Russians came.
NC: You mentioned this book was comforting to you, a 9 year old.
CL: for some reason, yes.
The backstory here is, like many of his generation, CL’s estranged father was a soldier in the German NS. CL himself is a liberal (kind of left-wing writer). This information in background, now got my interest to this book preference CL as a child. The background is very important to the Gestalt therapist because we are interested in the foreground. The foreground is made clearer only when the background is complete.
NC: Tell me about the book…
CL: (laughs, a little more shakily. He goes to his phone, and searches this book on an online site. Makes some association:)
NC: What comes to mind…
CL: Two scenes. This guy talks to his buddy in prison about the time he was taken from his home by the Russians. He was in the garden of his parent’s home, and his mother had baked a cake. Then they came to take him away. (laughs) He tells his buddy that he wished now that he had taken the cake along with him. The other scene is that he tells his buddy, “now I hope the Americans come, and gets rid of the Russians, so that they can free us”).
CL, has made associations again. This I found to be interesting. The scenes have irony and are a bit funny. Freud in his writings, “Der Witz und seine Beziehung zum Unbewußten” or “Jokes and Their Relation to the Unconscious” , tell us that there is significant repressed unconscious material in jokes. We’ll see how this plays out…
NC: Could you play out the scene? Try. You are this guy talking to your buddy in prison. Say “I am in the garden of my parents, and my mother had baked a cake…”
Unlike psychoanalysis, where the therapist takes on the task of analyzing the joke for the client, in Gestalt Therapy, the client tells us his/her version of the story. This method is usually used in Dream analysis (or dream work) in Gestalt therapy. The client is invited to take a role in his dream (or in this case, story). His task is to talk in the first person. By this time, there was actually resistance on the part of the client. There were points in the session when CL started to intellectualizing, either by stepping out of the scene, or to make judgment of the scene, even though he was quite agreeable to doing this experiment of playing the part of the characters in his associations. Playing part in associations and dreams is usually uncomfortable for many people because they feel awkward, or they do not trust what they say or feel in this kind of work. My experience is that the client is seldom ever wrong in this sense.
CL: I am in the garden of my home. My parents are there. Mother has baked a cake.
NC: Tell me about the cake.
CL: Delicious. She baked it often.
NC: then what happened.
CL: Soldiers came to the gate, and took me away. Then I am in the prison talking…
NC: Slow down. What happened as they took you away…
CL: That is not in the book.
NC: They are at the gate, they ask you to come with them.
NC: What’s going on.
CL: I feel scared, I suppose.
NC: I can imagine.
CL: In I am not sure if I would ever come back.
NC: Yes. Now, come back here with me. Have you an understanding what is going on with this character in prison as told his buddy that he should have taken the cake along?
CL: He is scared, he wished his mother was there, he’s afraid he would never see her again.
NC: Would you like to work on the next scene?
NC: I am in prison and I hope…?
CL: I am in prison, I tell my buddy, I hope that the Americans come soon and drop bombs on the Russians.
NC: What is the purpose of that?
CL: to save us.
CL: We are trapped in prison.
NC: What does it mean to be in prison?
This part took a bit of time. We stayed with it together… Staying with the client’s pause is good point of contact. Contact is a very essential part of Gestalt therapy. It usually comes when the client touches something emotionally significant, and when the therapist is able to give support.
CL: No freedom… I am in danger… I am guilty… I feel hopeless… I feel helpless…
NC: in prison, no freedom, in danger, guilty…
The client, in his association, has come to contact with some deep feelings. These are unconscious until now. We can ask “what are you feeling guilty about…?”, but this might lead the client to intellectualizing. The cleaner path is to bring the client back to the present situation, the here-and-now.
NC: Tell me about what’s happening now. You being here with me now, we are talking now…
NC: are you in danger?
CL: no. I am safe.
CL: No… not hopeless nor helpless. (Takes a deep breath.)
Note that this is a condensed version of the dialogue. CL had a bit of difficulty with the associations at first, and this is normal. Why we worked these scenes is because they were freely associated, and my guess was that they had significance. The other clue that this was significant was the resistance of the client along the way of this experiment.
At the end of the dialogue, CL took a really deep breath reflexively. He looked calm, and said “I feel good”. “Fine,” I said, and we ended there.
This short session demonstrated a closing of a gestalt. The client had anxiety-related procrastination issues, and that led to a memory. This memory led to a group of unconscious feelings, which took solace is a kind of joke or wit, or an entitled way of thinking “I hope the Americans bombs the Russians..” These were also not fully owned by the client, since he attributes it to a story book. However, the client was really interested in the experiment, because he realized, too, that there was some kind of association between this story and his relationship to his father. The beauty of Gestalt therapy is that we help the client come to his own meanings and understanding through his experiencing and embodiment of the experience. The therapist’s work here was that of supporting, and not of prying.
In the following sessions we discussed this dialogue again in relation to CL’s relationship to his parents. There was even clearer understanding to the cultural significance of “jokes” or “making light” in tough situations. Also, there was a discussion about how we deal with anxiety and fear.
The rest of the associations with regards to this dialogue, I’ll leave it to you, the reader.
Why this case study?
Kets de Vries gives a very detailed psychoanalytic account of a case study of an entrepreneur he names Nr. X. This case study illustrates how the inner and private life of the leader have significant effect on the performance of the leader. As the leader gets older, it is not unlikely that unresolved inner problems from childhood affect many areas of the individuals life, including his/her relationships and health.
Reason for Seeking Psychotherapy
Client: Mr. X, a 44 – year – old. Youngest of 6 siblings (2 brothers, 3 sisters). Occupation: Entrepreneur. Family Life: 21 years married but recently separated, 4 children.
Events leading to therapy request:
Mr. X’s thoughts about his father: a salesman / entrepreneur. Often away from home due to work. Remembered as a boisterous man who laughed a lot and brought him presents from his frequent business trips. Felt that he was his father’s favorite. When he was seven years old, his father became bedridden. Having his father in the house gave the boy the opportunity to spend more time with him. He began to feel close to his father. When he was 98 years old, his father died in a mental institution. This event was to Mr. X shrouded in secrecy. Mr. X is suspicious of the fact that his mother and elder sisters transferred his father to the mental hospital, thinking it was unnecessary and that it caused his death. He had tried a number of times to find out what had really happened, but had not been able to uncover the truth. The whole incident seemed to have been suppressed as a dangerous family secret. Mr. X suspected that his father had committed suicide which, given his family’s religious orientation, would explain the secrecy around the incident.
Mr. X’s recollection about his mother: Described as a very controlling, overprecise, critical woman who constantly worried about money and the future. After the death of his father she struggled maintaining the family also with coping financially. He felt that she saw everything in a
negative light. She never made a positive comment. Nothing he did was
ever good enough. He also described her as a perfectionist. He had never
been able to live up to her standards.
Mr. X’s recollection about his childhood life: Apart from the death of his father,his childhood was described as uneventful and quite happy. He felt proud of the fact that he had been something of a rebel as an adolescent.
“He revealed that throughout his childhood he had been scared of losing control. He was reluctant, for example, to fight with other children for fear that he would lose control and kill someone.
Denial of inner reality and flight into external reality through work had
become a way of life. His defensive structure, however, of escaping into
action — ‘ the manic defense ’ (Klein, 1948) — no longer seemed to work.”
Dramatic mood swings, an all – or – nothing attitude. Very little was needed to push him in one direction or the other.
Repressed Emotions & Inner Reality
Denial of feelings of depression through unrealistic optimism, laughter, humor, frantic activity, and excessive control had always been an important element in maintaining Mr. X ’ s psychic equilibrium.
Attempts to fight his depressive state by eliminating negative thoughts. Turns to self-help books in order to improve ability to repress depressive reality.
This point of a person, and this happens often with people who are functioning and try to excel in aspects of their life through forcing themselves into change. i.e. When I feel hurt/stressed/sad/angry (any “negative” feelings), I try to escape by pushing myself to do better, to think positive. This works, but only very temporary. The breakdown that comes is usually catastrophic and very difficult to overcome. In Gestalt psychotherapy, there the paradoxical theory of change (Biesser, 1970).
Unfolding through Therapy
As Mr. X worked his way through therapy he was able to admit to himself several things that was repressed:
Relationship with Women
Given the kind of relationship Mr. X had with his mother, it came
as no surprise that he perceived women as dangerous, over-controlling,
not really to be trusted.
Mr. X would divide women into two split categories, the easy and the proper. He had always been fascinated by prostitutes (and still was), but the fascination was accompanied by fear. Prostitutes were tempting but they could also be infected with diseases. He recalled an incident when he visited a prostitute. He felt that he had not treated her like other men. He had not taken advantage of her; he had gained her admiration.
As a young adult he had had many short relationships with women, treating them rather callously, usually dropping them when they became too clingy. He disliked feeling ‘ choked. ’
Dreams and Projections
He felt threatened by women. His dreams illustrated the role women played in his inner life. In many of his dreams, phallic women, portrayed as women with guns, would appear and lie on top of him, having intercourse while putting him in a passive position. He would wake up, frightened, feeling smothered. In other dreams, however, women would admire him from a distance. He described one dream in which he was persecuted by a number of large bees who kept striking at him. They were almost impossible to brush off. He associated this imagery with all the women he had dealt with in this life. Women could cling and sting, but also give honey. They could repel but also give pleasure. Gradually, however, dreams emerged in which he became more assertive with women, not taking such a passive role. Most importantly, in these dreams the degree of anxiety he had previously experienced was missing.
Being in Control
Starting and managing an enterprise had multiple meanings to Mr. X. It signified much more than a means of making a living. He had found out early in life, while employed by a German company, that working for others was too stifling.
These are projections, and much is known to be related to projections he has of his mother being controlling and having secretly done away with his father. Again identification with the father, being the victim of another’s control.
To be independent, to be in control, meant to be free from mother. His inability to work for other people (who would tell him what to do) made him decide to start on his own as his father had done before him. That was the only way to get some power, and no longer be subjected to the whims of others.
Transference of control and being controlled was reported to exist in therapy sessions.
What becomes apparent is his entrepreneurial mindset and work style slowly made sense to him, as his way of dealing with past traumas. It is his way of closing gestalts, and finishing unfinished business. This unfortunately leaves the real unfinished business open, and the only way that a person can live in inner peace is to work constantly. It is like filling water in a pot full of holes.
Mr. X also worked through other personality traits that developed as a result of being himself, basically. He was able to realize his meed for admiration, tendency for grandiose and depressive moods (bipolar disorder, perhaps), competitiveness, self-defeating behaviors,.
With the newly owned awareness and re-experiencing of past traumas, and the re-integration of his repressed emotions, Mr. X was reported to have slowly managed to get back to work, work with less stress, welcome his wife back into his life.
The process in which the patient manages to make positive changes to his life is through sitting through and experiencing what is there. What is in his real memories, his real childhood experiences. This is only possible with the accompaniment of a therapist, who is trained to support the client through the process. This process is very tedious and painful. The client has spent almost all his life trying to make changes by pushing his un-bearable realities to the unconscious. To not feel, to forget.
This is what it the paradoxical theory of change is about. When we try to elicit changes, in Mr. X case, when he tries to think positive, push himself to success, and try to do everything he can to overcome painful experiences, all he has achieved is a mountain of disappointments and stress. It is only through not changing. in just sitting in therapy and looking at all these childhood experiences, did his life really begin to change.
Beisser, A. (1970). The paradoxical theory of change. Gestalt therapy now, 77-80.
Klein, M. (1948). A contribution to the theory of anxiety and guilt. The International Journal of Psycho-Analysis, 29, 114.
Kets de Vries, M. (2009). Reflections on character and leadership.
The art with the theme of the “mother” or good and evil mothers by 19th Century painter, Giovanni Segantini, enlivens us to the concept of the good and bad internalized mother in psychoanalysis.
According to scholars like Don Carveth, this idea of the bad mother was blindsided by Sigmund Freud, who was thought to have idealized his relationship with his own mother, and hence could not bring himself to the realization of the bad mother concept.
It was believed that the artist Sagentini lost his mother as a child. He felt guilty with the idea that he was a cause of her death. He was brought up by relatives after his father left him with them. This means that he lost also his father. Sagentini suffered mood swings, which Abraham attributes to the repression of the image of the bad mother (the mother complex). Sagentini’s traumas are not reducible to the Oedipus complex. He was nevertheless susceptible to revenge on the (internalized) mother (and the abandoning/vain…etc. mother) who abandoned him, and he depicts them in his painting.
Abraham points out that excessive hatred/hostility to the mother can be replaced by exaggerated by the opposite: the love of the mother, putting mothers on the pedestal (as in the case with Freud). Sagentini lived with depressive guilt (of having hate for mother turned against himself), and in a way made reparation by depicting the mother & child in his art.
Art is a reparative creative way of healing, and an essential to being healthy. Reparation of one’s internal objects (e.g. internal mother). When one repairs internal objects one can feel whole again and no longer broken. This is the central theme in Kleinian Theory.
The internalized mother is important in the lives of humans. It is the relationship to this internalized mother that we are able to feel protected in this world. In time of trauma, and existentially frightening setback, it is this relationship that gets broken.